Vehicles

This section holds a car, a racing car, a fire engine, a motorbike, a police car, a train, a boat, a digger, a tractor and an aeroplane. They are drawn from the side, wheels flat on an implied ground line, with no perspective shortening anything. The digger is an exception, standing at a three-quarter angle so that both its side and a little of its front are visible, and so is the aeroplane, in the air and tilted a few degrees nose-up with nothing beneath it at all. That side view is a deliberate choice. It keeps every panel readable as a closed shape, so a door is a door, a window is a window, and a wheel is a circle inside a circle rather than a squashed oval.

The car sheet is the plain one, and plain here is the point. It is a family-shaped car in profile with the body divided into a few large panels, windows left as open glass, and two wheels with simple hubs. Nothing on it is fussy. Someone who has never coloured a vehicle before can fill the whole body in one colour and stop there, and the sheet still looks finished. Someone who wants more can treat each panel as its own value and shade the lower half a little darker, the way the side of a car sits in its own shadow.

The racing car takes the same profile idea and lowers it. The body is long and close to the ground, the front comes to a point, and there is a wing shape at the back with a strip of open space inside it. The wheels are wider than the car sheet's, and the outlines leave you room to decide whether they are smooth or ridged. Several small, closed areas sit along the nose and the wing, and a sharpened pencil reaches into a shape that size more easily than a broad tip does.

The fire engine is a tall shape carrying a lot of line work: a boxy cab, a long body broken into compartment doors, a ladder along the top and wheels under a high chassis. The police car is its opposite — a plain saloon whose door panels are completely empty, which is exactly where the markings would go on a real one, so that blank space is an invitation rather than an omission. Its light bar is divided into segments and sits alone on the roof against white paper, which makes it quick to colour to good effect.

The motorbike, the tractor and the digger are the three machines where the mechanism is drawn rather than hidden. The motorbike has spoked wheels and a finned engine block; the tractor has one very large lugged rear wheel and one small front one, pulling a plain trailer; the digger has a jointed arm with hydraulic rams alongside it and a bucket with five teeth. All three reward being coloured part by part, because the parts are separately outlined, and all three take a very long time if you decide to fill every spoke, lug and track link individually.

The train and the boat are the two that bring their own ground with them. The train runs on a straight track drawn the full width of the sheet, with sleepers beneath the rails, and it leaves a great deal of white paper above and below itself. The boat sits on three long curved water lines that cannot be filled, only coloured around. Both are wide, shallow drawings, and adding something of your own behind either vehicle changes the page a great deal. The aeroplane is the opposite case and belongs beside them for that reason: it brings no ground with it whatever, so the white around it is not space left over but the sky it is flying in, and anything added there is a decision about weather rather than about scenery.

If you are picking one, pick by patience rather than by which vehicle you like most. The car, the boat and the aeroplane are the shortest sits. The racing car, the police car and the train are the middle ones. The fire engine, the motorbike, the tractor and the digger ask for the longest stretch, mostly because of ladders, spokes, lugs and track links. A good order for someone working through several is to start with a broad one and leave a fiddly one until the hand has warmed up.

Medium shows plainly on these sheets, because they are so panel-heavy and the panels sit right against one another. Coloured pencil is the safest across all of them: it layers, so a flat first pass can be darkened later at the lower edges, and it will not creep past a thin outline. Markers are fast and give the flat, poster-like look that suits a racing car, but they bleed on thin paper and will feather across a ladder rung or a wheel spoke. Crayon skips on the long body of the fire engine unless you work in one direction rather than scrubbing. Gel pen is best saved for small accents: a hub, a mirror, the strip inside the wing.

Real vehicles suggest obvious colours, and you can take them or leave them. Fire engines are commonly red, racing cars are often bright because they are meant to be seen at speed, diggers are usually yellow, and everyday cars come in almost anything. None of these drawings carries a badge, a number plate or any lettering, so nothing on the page has to be consistent with anything. They all print the same way: plain A4 paper, actual size rather than fit-to-page, and thicker card if markers are the plan.

Published 28 August 2026Updated 29 August 202610 sheets951 words