Motorcycle coloring page

A motorcycle in side view with spoked wheels, an engine, a headlamp and completely plain bodywork.

A motorcycle stands in side view facing right, drawn across the width of the page. Both wheels are large and spoked, with the spokes crossing each other inside a double rim. Between them sits an engine block with cooling fins drawn as a stack of lines, a fuel tank shaped as one smooth closed panel, a long saddle, handlebars with a grip at the end, a round headlamp, a small mirror on a stalk, front forks with a spring, a rear shock absorber and an exhaust pipe running back along the bottom. There are no badges, no numbers and no lettering anywhere on it.

The bodywork panels are the fast half of this drawing. The tank, the saddle and the two fenders are large closed shapes with nothing inside them, and they can carry the whole color scheme between them. The wheels are the slow half. Everything else — the engine, the forks, the exhaust — sits in between, made of medium-sized closed shapes that a pencil handles comfortably and a broad marker does not.

The spokes are the decision this sheet turns on. There are dozens of them, they cross, and the spaces between them are narrow triangles. Filling every space is a very long job. Leaving them all white and coloring only the rim and the hub is quick and looks correct, because a real spoked wheel is mostly air. A middle course — a light gray laid across the whole wheel with the rim and hub darker — reads as a wheel from a distance and takes a minute.

The engine's cooling fins are a stack of parallel lines close together, and they behave like the spokes: filling between them is fine work, and a single light tone over the whole block with a harder press along the bottom edge reads as metal without any of it. The exhaust pipe is one long lane running the length of the machine and is the easiest place on the sheet to put a bright color, since nothing else is anywhere near it.

The tank is the largest single panel and it is the traditional place for whatever the boldest color is going to be. Because it is completely plain, a stripe drawn along it, or a two-tone split with a hard edge down the middle, is entirely yours to invent. The saddle is the other broad panel and is the one place where a dark neutral is worth spending, since it separates the tank from the rear fender.

Any color scheme works here because nothing on the machine is identified. There is no badge to be consistent with. The one thing worth keeping honest is the two wheels: if the front and the rear are treated differently the drawing loses its balance, since they are the same shape at the same size and the eye notices immediately.

A plain point about the drawing. The vertical stack of lines on the engine is a set of cooling fins, and their job is surface area — more metal in contact with the air means more heat carried away, which is why an air-cooled engine is drawn with a ribbed block rather than a smooth one. The coil above the rear wheel is a spring in the suspension, and the reason it is drawn separately from the frame is that it moves independently of it.

Print at actual size on plain letter paper. The spokes and the engine fins are the two places a smaller print fills in for you, and they are also where the drawing put most of its work. If markers are the plan, they suit the tank, the saddle and the fenders, but keep a pencil for the wheels or the spokes will disappear under a single stroke. Cut out along the outline and the machine comes away as one long low silhouette that reads well taped to a window.

Published August 29, 2026Updated August 29, 2026652 words